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The Other Side of the Screen - part 6

She opens the video at nine, as usual. He is there immediately, as he always is, and the sight of him does what it always does, which is to make Lizzie’s flat feel less like a place she is trapped in and more like a place she happens to be for now. And then she takes in the rest of it. He is ready for her, in the way he has been ready for her every morning this week, naked and utterly unashamed. He offers her his big, hard cock with the ease and generosity that she has come to understand as simply how he is, how he is with her, the particular world they have created together in five days. He smiles when her face appears, that good, slow smile, and raises his hand. She does not raise hers back. She is sitting upright, fully dressed. A grey cardigan, dark jeans, her hair done with a care that means she has been thinking about this for some time, and something in her face makes his smile shift before she has said a word. "Lizzie..." "Michael." She looks at the c...

Aftermath - part 2

Linda sits at the same bar, on almost the same stool, holding a caipirinha she hasn't touched. The glass sweats condensation onto the dark wood, forming a ring that catches the low amber light. She watches it grow, this small puddle of evidence that time is passing and that she's been sitting here long enough for ice to melt.

Seven days. It's been seven days since she woke up in that stranger's bed, seven days since she promised herself, no... swore to herself, that she would never do that again. Never let herself be used like that. Never mistake a few hours of attention for something real or to give herself away so cheaply.

And yet here she is.

The bar is busy tonight. Friday again. Always Friday. The music throbs through the floorboards, some remix of a song she half-recognises. Bodies press close at the bar, voices rising to compete with the bass. She watches them, these people who seem so comfortable in their own skin, so certain of their right to take up space and make noise and exist without apology.

She'd almost not come. Had stood in her flat, showered and made up, wearing a different dress this time, deep green instead of black, as though the colour might change the outcome. And very nearly she had taken it all off again. She had very nearly put on her pyjamas, poured a glass of wine, and spent another evening alone.

But the thought of it. God, the thought of another Friday night on her sofa. The silence. The empty rooms. The knowledge that the weekend stretched ahead, forty-eight hours of unstructured time with no-one to share it with... It had felt worse, somehow, than this.

At least this is active loneliness. At least here, in the noise and the press of bodies, she can pretend she's part of something. In this wretched place possibility still exists, even if she knows exactly where that possibility will lead.

She takes a sip of her drink. The lime is sharp, the sugar not quite sweet enough to balance it. She should have ordered something else. Wine, maybe. Wine is what she drank last week, in that minimalist flat with that man whose face she can still picture but whose name has completely escaped her. Mark? Matthew? Michael?

The not-knowing feels like failure.

She'd tried, this past week. Really tried. She'd thrown herself into work with an intensity that made her colleagues ask if she was all right. She'd stayed late at the library, reorganising the reference section with obsessive precision, as though alphabetising books could bring order to the chaos in her head. She'd gone to the gym three times. Three times. Had run on the treadmill until her legs ached and her lungs burnt and she couldn't think about anything except breathing.

It hadn't helped.

Because at the end of each day, she still went home alone. 

So here she is. Back at the bar. Waiting.

She knows how this will go. Some man will approach, they always do eventually, drawn by the sight of a woman alone. He'll be charming or awkward or somewhere in between. He'll buy her drinks. She'll laugh at his jokes, even the ones that aren't funny. The alcohol will soften everything, make poor decisions feel like good ones. And then she'll go home with him.

And tomorrow, she'll wake up feeling exactly as she felt last Saturday. Used. Cheap. Ashamed. Knowing she did this to herself.

And still she sits here, waiting for it to begin again.

A man glances her way from across the bar. Mid-thirties, suit slightly loosened, tie askew. He catches her eye and smiles. She looks away quickly, not quite ready to start the performance.

She lifts her glass again, the caipirinha now mostly melted ice and regret, and that's when someone slides onto the stool beside her.

Not a man. A woman.

Linda glances over, startled. The woman is petite, perhaps five-foot-three, with a figure that the deep purple dress she's wearing shows to devastating effect. Her hair falls just past her shoulders, dark with lavender strands catching the light, slightly curly. She wears glasses that suit her face perfectly and when she turns to signal the bartender, Linda catches her profile. Striking. Beautiful, actually.

The woman orders something, Linda doesn't catch what, and settles onto her stool with the easy confidence of someone who belongs wherever she chooses to be.

Linda looks away quickly, back to her drink, but she's aware of the woman beside her. Of the faint scent of her perfume, something subtle and expensive.

"Quiet night," the woman says, and Linda realises she's being spoken to.

She turns. The woman is looking at her, a slight smile on her lips. Her eyes, behind the glasses, are warm. Hazel, maybe. It's hard to tell in this light.

"Sorry?" Linda says.

"For a Friday," the woman clarifies. "Usually this place is rammed by now."

Linda glances around. The bar is busy, bodies packed three-deep in places, but the woman's right, there are still a few empty stools and there's space to breathe.

"I suppose," Linda says, and immediately feels foolish. I suppose. God, could she sound more awkward?

But the woman just nods, accepts her drink from the bartender and takes a sip. She doesn't seem in any hurry to move away.

"I'm Maya," she says, extending a hand.

"Linda." The handshake is brief, warm. Maya's hand is small but her grip is firm.

"Are you meeting someone?" Maya asks, and there's something in her tone that suggests she already knows the answer.

"No," Linda admits. "Just... out."

"Me too." Maya's smile turns slightly sad. "Seemed better than staying home."

The honesty is unexpected. Disarming. Linda finds herself saying, "I know exactly what you mean."

And just like that, they're talking.

It starts casually... the usual things strangers say to each other in bars. Where they work (Linda tells her about the library, Maya mentions something vague about graphic design), how long they've lived in the city (Linda: all her life; Maya: three years), whether they come here often (both lie and say no).

But somehow, gradually, the conversation deepens. Maya mentions loneliness almost casually, as though it's just another fact about herself, like her height or her job.

"Sometimes I think I come to places like this just to be around people, you know? Even if I'm not actually with them."

Linda's breath catches. "Yes," she says. "Exactly that."

Maya looks at her properly then, really looks, and Linda feels seen in a way that's both uncomfortable and thrilling.

"You get it," Maya says quietly.

"I think I do," Linda confirms.

They talk about loneliness, about the particular kind of ache that comes from living in a city full of people and still feeling utterly alone. Maya describes it as "walking through crowds and being invisible," and Linda nearly laughs because that's it, exactly it.

"I thought coming out might help," Linda admits, the words spilling out before she can stop them. "But honestly? I'm not sure why I'm here."

Maya tilts her head, considering. "Because being alone in public feels different from being alone at home?"

"Yes." Linda pauses, then adds, more quietly, "And because I was hoping..."

She trails off, but Maya finishes for her: "That someone might notice you? Might make you feel less invisible, even if just for a night?"

Linda's throat tightens. She nods.

"Me too," Maya says softly. "God, me too."

A man approaches them then, good-looking in that generic way, holding two drinks. "Can I buy you ladies..."

"No," Maya says firmly. "Thank you, but no."

He looks surprised, then affronted, then shrugs and moves away.

Linda stares at Maya. "You just..."

"I know." Maya grins. "But I'm actually enjoying our conversation. And he would have ruined it."

Something warm unfurls in Linda's chest.

They keep talking. The bar grows busier around them, but they remain in their own bubble. Maya tells Linda about her failed relationships... three serious ones, each ending because, as she puts it, "I tried to use them to fix something in myself that only I can fix."

Linda understands this too. "I keep thinking the next person will make me feel whole," she confesses. "And they never do. Because I'm not whole to begin with."

"That's what everyone says," Maya observes. "That you have to be complete on your own first. But what if you're not? What if you need connection to feel complete? Is that really so wrong?"

It's a question Linda has asked herself a thousand times. "I don't know," she admits. "My therapist would say yes."

"Therapists always say that." Maya laughs, but it's not unkind. "I have one too. She's lovely. Completely unhelpful, but lovely."

Linda laughs too, and it feels good. Real.

Another man approaches, this one bolder, sliding between their stools. "You two look like you're having fun. Mind if I..."

"Yes, we do mind," Linda hears herself say, surprising herself as much as him.

The man backs off, hands raised in mock surrender.

Maya grins at her, then laughs. "Look at you."

"I know." Linda feels almost giddy. "I've never done that before!"

"How does it feel?"

"Fucking good, actually," Linda admits with a laugh. "Really fucking good!"

They talk about their families, their work, their fears. Maya is younger than Linda... twenty-six, it turns out... but she speaks with a depth that belies her age. She's clearly thought about these things, wrestled with them, same as Linda.

"Do you ever feel like you're performing?" Maya asks. "Like you're playing the role of a functional adult, but inside you're just... not?"

"Every single day," Linda breathes.

"Me too. It's exhausting."

"It really is."

The conversation flows easily, naturally, punctuated by shared laughter and moments of comfortable silence. Linda realises she hasn't checked her phone in over an hour. Hasn't scanned the bar for potential prospects either. Not even thought once about going home with a stranger. She's too engaged in this. In Maya. In this connection that feels rare and precious and utterly unexpected.

"Can I ask you something?" Maya says eventually, her voice lower, more serious.

"Of course."

"Why did you really come here tonight? Not the surface reason. The real one."

Linda considers lying, then realises she doesn't want to. Not to Maya.

"I came here hoping someone would want me. Even knowing I'd regret it after. Even knowing I'd feel terrible. Because feeling terrible after feeling wanted seemed better than just feeling lonely."

Maya nods slowly. "Last month I went home with someone I met at a gallery opening. I didn't even like him. But he paid attention to me, and I was so desperate for that attention that I convinced myself it meant something."

"How did you feel after?" Linda asks quietly.

"Like I'd given away something valuable for nothing in return." Maya meets her eyes. "But I'd probably do it again. Because the alternative is worse. Does that make sense?"

"Perfect sense," Linda says, and realises there are tears in her eyes.

Maya reaches out, touches her hand gently. "Hey."

"Sorry," Linda says, wiping at her eyes. "I just... I've never talked to anyone who actually understands."

"I understand," Maya says simply.

They sit in silence for a moment, hands still touching on the bar.

"Would you like to get out of here?" Maya suddenly asks. "Continue this conversation somewhere quieter? My place isn't far. I make terrible tea but excellent biscuits."

Linda's heart skips. She'd expected alcohol. The inevitable progression. But Maya is offering tea and biscuits, and somehow that feels more intimate than anything else.

"I'd like that," Linda says.

Maya's flat is nothing like the minimalist bachelor pad from last week. It's warm, lived-in, full of colour and texture. Books overflow from shelves, plants crowd the windowsills, and the walls are covered in framed prints... artwork, photographs, inspirational quotes that would seem trite anywhere else but somehow work here.

"Please sit," Maya says, gesturing to a sofa piled with cushions. "I'll put the kettle on."

Linda sinks into the sofa, surrounds herself with cushions, and feels something in her chest relax. This space feels safe. Lived in. Real.

Maya returns with a tray... proper china teacups, a pot of tea, and a plate of homemade biscuits that look almost professional.

"You actually made these?" Linda asks, accepting a cup.

"Stress baking." Maya settles beside her, close but not touching. "When I'm anxious, I bake. My freezer is full of things I'll never eat."

They drink tea. They eat biscuits, which are, as promised, excellent. And they talk.

The conversation becomes deeper, more raw. Maya tells Linda about her childhood, about parents who loved her but never quite understood her, about always feeling like she was performing some version of normal that didn't quite fit.

Linda tells Maya about her string of failed relationships, about the married man, about last week... good heavens about last week... and how she'd promised herself never again but there she was, one week later, at the same bar.

"Except you didn't go home with anyone," Maya points out.

"Because I met you," Linda says.

"Because you chose differently," Maya corrects gently. "You could have sent me away. You could have chosen one of those men. But you didn't."

Linda considers this. "I didn't want to. Talking to you... it felt more important."

"It felt important to me too."

The words hang between them, weighted with meaning.

They talk about their fears, of ending up alone or being fundamentally unlovable. The conversation feels like a dam breaking, years of frustration and loneliness pouring out in this warm, safe space.

"I'm so tired," Linda admits at one point. "Of pretending I'm fine. I try so hard to be enough on my own, but I'm failing at it over and over."

"You're not failing," Maya says firmly. "You're human. And humans need connection. We're wired for it. There's nothing wrong with you for wanting it."

Linda feels tears sliding down her face. "Then why is it so hard?"

"I don't know." Maya shifts closer, takes Linda's hand. "But maybe it doesn't have to be. Not always. Not tonight anyway."

They sit like that, hands clasped, while Linda cries and Maya simply holds space for her grief.

When the tears subside, Linda looks up to find Maya watching her with such tenderness it makes her chest ache.

"Thank you," Linda whispers.

"For what?"

"For seeing me. For understanding. For being here."

"Thank you for the same," Maya says.

The flat has grown quiet around them. Outside, the city continues its Friday night noise, but in here, there's just the two of them, the soft light of lamps, the empty teacups.

"It's late," Maya says eventually, glancing at the clock. Nearly two in the morning. "Would you... would you like to stay? Not for... just to not be alone. We could both do with not being alone tonight."

Linda's heart races. "I'd like that. Very much."

Maya stands, offers her hand. Linda takes it, and they climb the stairs together, fingers interlaced, neither speaking but both understanding.

Maya's bedroom is as warm as the rest of her flat. Fairy lights strung above the bed, more books, watercolours on the walls. She lends Linda a t-shirt to sleep in, shows her where the bathroom is, gives her a new toothbrush still in its packet.

When Linda returns, Maya is already in bed, under the covers, leaving space for Linda beside her.

Linda climbs in carefully, her heart hammering so hard she's certain Maya can hear it.

They lie facing each other in the dim light from the fairy lights.

"Hi," Maya whispers.

"Hi," Linda whispers back.

"Is this okay?"

"More than okay."

Maya reaches out, brushes a strand of hair from Linda's face. The gesture is so tender Linda feels tears threaten again.

"I'm glad I met you tonight," Maya says.

"Me too."

They lie there, looking at each other, and Linda realises something: she doesn't feel lonely anymore. For the first time in months, maybe even years, she doesn't feel that crushing weight of isolation.

"Can I hold you?" Maya asks softly.

"Please," Linda breathes.

Maya shifts closer, wraps her arms around Linda, and Linda buries her face in Maya's shoulder and breathes her in. She smells of lavender and something else, something uniquely her.

They lie tangled together, hearts beating against each other, neither sleeping but neither needing to.

"Thank you," Linda whispers into the darkness.

"For what?"

"For making me feel so special."

"You did the same for me," Maya murmurs against her hair. "We did it for each other."

And Linda realises it's true. This isn't about one person saving another. It's about two people finding each other in their loneliness and choosing, together, to be less alone.

Outside, dawn is still hours away. But here, in this warm bed, held in arms that ask for nothing except presence, Linda feels something she hasn't felt in so long she'd almost forgotten what it was.

She feels hope.

She closes her eyes, breathes deeply, and lets herself be held.

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